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The loons are back again on Golden Pond and so are Norman Thayer, a retired professor, and Ethel who have had a summer cottage there since early in their marriage. This summer their daughter Chelsea -- whom they haven't seen for years -- feels she must be there for Norman's birthday. She and her fiance are on their way to Europe the next day but will be back in a couple of weeks to pick up the fiance's son. When she returns Chelsea is married and her stepson has the relationship with her father that she always wanted. Will father and daughter be able to communicate at last? 'On Golden Pond' is simply an old-fashioned testimonial to long-lost youth and facing one's mortality, and, in its simplicity, becomes a life-affirming valentine to those who feel that time has become the enemy - a seemingly ageless, universal perception.

If not for the magnificent acting duet between Henry Fonda and Katharine Hepburn, this lovely, sentient piece would have been ignored by most moviegoers. But buoyed by these two acting legends, it manages to circumnavigate the heavy, mawkish waters -- rising far above and beyond anybody's expectation.

Earning a whopping ten Oscar nominations, Ernest Thompson's reflective screenplay won one of those Oscars, but, for me, it's Dave Grusin's soothing, glistening score that is the stronger selling point here, adding immeasurably to the film's ruminative tone and gently rustic surroundings. Henry Fonda plays brusque, cantankerous Norman Thayer, a one-time college professor approaching his 80th birthday with a mixture of anger, cynicism and fear as he shows signs of losing his faculties. Norman is not a particularly kind or considerate gent. Abrupt, callous, remote, and ill-equipped to offer nurturing support of any kind, living with Norman must have been quite an ordeal for those growing up under his roof. As a means of self-preservation, their only child, Chelsea, has long estranged herself from the family, unable to emotionally come to terms with her unhappy, unhealthy relationship with her father.

Bajaj Vespa Serial Numbers more. Fonda offers the most affecting, endearing performance of his durable career. He manages to use Norman's undesirable traits to his advantage, investing in his character a gruff charm and cynical sense of humor that is totally winning. He melts away the harmful, negative elements, as Carroll O'Connor managed to do for Archie Bunker, and makes Norman not only funny and entertaining, but loveable. As a result, Fonda becomes the glowing centerpiece of `On Golden Pond,' and it is this portrayal, along with his `Grapes of Wrath' Tom Joad, that will remain indelibly etched in our hearts and minds for decades to come. Kate Hepburn is his Ethel, a loving, pragmatic anchor who obviously has played an important role in the lifetime success of this complicated man. Devoted to a tee, Ethel understands and compensates for the weaknesses of her husband.

She valiantly assuages his deepening fears with good-natured kidding, feigned hopelessness, and careful but subtle guidance. She is Dulcinea to his Don Quixote. As a lioness would shield an endangered cub, she has automatically assumed the roles of caregiver, protectorate and confidence booster without pause or grief. Only for Ethel does Norman step out of his shield of emotional armor and display a genuine affection that is lost to others, including himself. Hepburn absolutely radiates with warmth and vitality, providing the film with a necessary center. Though less flashy and substantive, both she and Fonda were Oscared for their work here, with Hepburn winning a record-breaking fourth 'Best Actress' award.