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Now that I'm home and at my PC I can elaborate on my last posting. To summarize, briefly.

About 10 years ago it was rumored that Kevin Shields was working on remasters/reissues of the legendary My Bloody Valentine Creation-issued EPs and LPs ('You Made Me Realise' / 'Feed Me With Your Kiss' / Glider EP / Tremolo EP / Isn't Anything / Loveless). Hopes would rise and fall, announcements made with release details, then suddenly yanked, etc. - and it's only the past couple years! In 2008 review copies were sent out, and some made it 'into the wild' so to speak. These leaked copies were long questioned as to their veracity, until Kevin helpfully cleared it up in a wide-ranging interview with Pitchfork a week ago. They were indeed legit. Which was good, because it gave us a nice baseline (along with the original 1991 Creation CD which I have) to use in comparing today's release (finally!) on Sony.

The Loveless reissue consists of two CDs, the inlay details it quite nicely: 'Original tape' is the '91 DAT master. 'Original 1/2 inch analogue tapes' is exactly what it says. The '91 release - and all pressings since, until now - were sourced from the digital 'original tape' master. Kevin helpfully detailed what he did in the remastering in the: So, of the two Loveless CDs that are coming out, one of them is exactly the same as the original, but everything's brought up to zero without crushing it with digital limiting, which essentially takes all the information and chops off the spiky bits-- transients-- that you don't hear as much as you perceive subconsciously. Those are the things that make you feel connected to the music. Nokia Ringtone Free Download 2014.

So something can be 10 dBs louder, but it somehow sounds slightly less involving. Each of those chopped-off peaks puts a little piece of distortion there instead, so the overall sound gets this hard, unpleasant kind of sheen, and you can't hear it as well. There is a tiny bit of digital limiting on one song on the Loveless reissue, but I'm not gonna say which one because it was a sacrificial lamb to get the rest of the album up a bit. And since the sound is brought back to zero, it means your CD player will be able to process it a bit better, so that it kind of sounds. 'better' isn't the right word, it just feels different. The original Loveless was from a digital master because it was much closer to the picture I wanted, and, at the time, the analog one was slightly twisted-- the process of putting it onto tape widened the stereo image and made the top and bottom ends too loud, so the guitar placement wasn't correct. I wasn't happy with that and I didn't use the original half-inch analog tapes.